Intro: D A G A7 D A G A7 With your mercury mouth in the missionary times, D A And your eyes like smoke G A7 And your prayers like rhymes, G D Em A D And your silver cross, and your voice like chimes, D Em A A7 Oh, who do they think could bury you? D A G A7 With your pockets well protected at last, D A And your streetcar visions G A7 Which you place on the grass, G D Em A D And your flesh like silk, and your face like glass, D Em A A7 who could they get to carry you? Chorus: Em D A Sad-eyed lady of the lowlands, Em D A A7 Where the sad-eyed prophet says that no man comes, D A G A G D A A7 My warehouse eyes, my Arabian drums, Em D A7 Should I put them by your gate, Em D Or, sad-eyed lady, should I wait? D A G A7 With your sheets like metal and your belt like lace, D A G A7 And your deck of cards missing the jack and the ace, G D Em A D And your basement clothes and your hollow face, D Em A A7 Who among them can think he could outguess you? D A G A7 With your silhouette when the sunlight dims D A G A7 Into your eyes where the moonlight swims, G D Em A D And your match-book songs and your gypsy hymns, D Em A A7 Who among them would try to impress you? Chorus: Em D A Sad-eyed lady of the lowlands, Em D A A7 Where the sad-eyed prophet says that no man comes, D A G A G D A A7 My warehouse eyes, my Arabian drums, Em D A7 Should I put them by your gate, Em D Or, sad-eyed lady, should I wait? D A G A7 The kings of Tyrus with their convict list D A G A7 Are waiting in line for their geranium kiss, G D Em A D And you wouldn't know it would happen like this, D Em A A7 But who among them really wants just to kiss you? D A G A7 With your childhood flames on your midnight rug, D A G A7 And your Spanish manners and your mother's drugs, G D Em A D And your cowboy mouth and your curfew plugs, D Em A A7 Who among them do you think could resist you? Chorus: Em D A Sad-eyed lady of the lowlands, Em D A A7 Where the sad-eyed prophet says that no man comes, D A G A G D A A7 My warehouse eyes, my Arabian drums, Em D A7 Should I leave them by your gate, Em D Or, sad-eyed lady, should I wait? D A Oh, the farmers and the businessmen, G A7 They all did decide D A G A7 To show you the dead angels that they used to hide. G D But why did they pick you Em A D To sympathize with their side? D Em A A7 Oh, how could they ever mistake you? D A G A7 They wished you'd accepted the blame for the farm, D A But with the sea at your feet G A7 And the phony false alarm, G D And with the child of a hoodlum Em A D Wrapped up in your arms, D Em A A7 How could they ever, ever persuade you? Chorus: Em D A Sad-eyed lady of the lowlands, Em D A A7 Where the sad-eyed prophet says that no man comes, D A G A G D A A7 My warehouse eyes, my Arabian drums, Em D A7 Should I leave them by your gate, Em D Or, sad-eyed lady, should I wait? D A G A7 With your sheet-metal memory of Cannery Row, D A G A7 And your magazine-husband who one day just had to go G D And your gentleness now, Em A D Which you just can't help but show, D Em A A7 Who among them do you think would employ you? D A G A7 Now you stand with your thief, you're on his parole D A G A7 With your holy medallion which your fingertips fold, G D Em A D And your saintlike face and your ghostlike soul, D Em A A7 Oh, who among them do you think could destroy you Chorus: Em D A Sad-eyed lady of the lowlands, Em D A A7 Where the sad-eyed prophet says that no man comes, D A G A G D A A7 My warehouse eyes, my Arabian drums, Em D A7 Should I leave them by your gate, Em D Or, sad-eyed lady, should I wait? | TransposeReset Font sizeReset Chords fingeringsA A7 D Em G |